Argo 2 Movie Exclusive News

Argo 2 Movie Exclusive News: As viewers, we are always careful with the words "based on a true story." Or, in the case of "Argo," "The incredible true story!" We filmmakers tend to embrace "based on" get rid of "true". But the events swirling around the terrible hostage crisis in Iran, the seizure of 52 Americans at the US embassy in Tehran, an ordeal that lasted for 444 days from November 4, 1979 hasta 20 January 1981, are true. And awesome.

"Argo" has the added prestige of the entrance to the former CIA agent Tony Mendez, who cooked a crazy regime until six embassy staff who slipped out a side door, on the first day and hid for three months Serbian home Canadian ambassador Ken Taylor. Mendez results remained secret until they were released in 1997 (and later reported in his book "The Master of Disguise"). As we can count former spies and confirmation of participants, there is a lot of history of reliability "Argo".

It is also a great film, very exciting, and is part of the growing evidence after "Gone Baby Gone" and "The Town," Ben Affleck is a talented manager. The cast also excellent Mendez (and co-produced the film with George Clooney and Grant Heslov).

Mendez, "in the early 1980s to create a fake movie project in an attempt to six people as members of the crew, apparently smuggled to Iran to explore places for a show of fiction called" an exfiltration specialist Argo. "But the plan requires an extensive background history, a real script, production and office. Mendez, led by his boss, Jack O'Donnell (Bryan Cranston), teams with an old friend, the Hollywood makeup artist John Chambers (John Goodman), and together they recruit intelligent producer Lester Siegel (Alan Arkin fast quipping), which insists on an average day. "If you want to sell a lie," he says, "You sell the press for you."

"Argo" is a beast with two heads: the frightening events in Iran, interspersed with falsehood eccentric Hollywood. The biggest challenge Affleck was one of tone. As a thriller sweaty "Wag the Dog" these tricks can mix and jokes? It reached, in part because of curtains and costumes are so genuine and actions easily. Further technology.

Affleck has shot six refugees bang with a handheld camera, documentary style, swept masses of angry street with a 16 mm camera and shot some of them to the Super 8 (for granulation realism). Washington, DC, says scenes gentle camera movements, while the moments in Hollywood is full zoom views from helicopters and cars. Each step is a believable character.

Perhaps the greatest feature of the film is that the plan is so absurd, so fiction movie we thought it would never happen.